Welcome to our Festival blog

We are a small congregation commemorating the 400th anniversary of the death of the village's Elizabethan composer, William Byrd (c.1540 - 1623).

We are planning to erect a permanent memorial to Byrd to mark the quatercentenary since his death, and have begun a fundraising appeal. Our events this year have included a talk on The Life and Times of William Byrd (30 June), including book release; a Commemorative Service of BCP Evensong (2 July); and, welcomed The Stondon Singers who gave a sell-out William Byrd Anniversary Concert on the actual day (4 July). Stondon Massey has also featured on BBC Radio 3's 'Composer of the Week' programme (3-7 July).

This website contains everything you need to know about William Byrd's life and music as well as his links with Stondon Massey. /

Monday 16 August 2010

Stondon Massey

The following is taken from ‘Durrant’s Handbook For Essex’ (Durrant & Co., Chelmsford, 1887).

Ston’don Massey. A. 1155; P. 261; Rectory, value £500; 3 m. S.E. from Ongar.

Literally Stone-dune Marci, the stony or gravelly hill of the Marci, or Marks, its owners in former times. The Place is a good mansion. The Church (SS. Peter and Paul), though small, is a remarkable example of a Norman church. It consists of a nave and chancel, to which a modern N. aisle and mortuary chapel with vaulted stone roof have been added. A timber framework in the W. end nave supports a tower with 3 bells and a spire. On the N. side were, until recently, two round-headed Norman loopholes, placed very high in the wall. Opposite were two similar windows, one of which, in the 16th cent., was replaced by a large square-headed 3-light (Perp.) window. In the chancel are two more loopholes like the others, not more than 2½ in. wide externally, but splayed internally to 3 ft. The S. door is a rude, plain, round-arched one, with square capitals, of Norman age, or possibly older. The rood-screen and pulpit (both perfect) are of fine 16th cent. carved oak. The E. window is poor; that at the W. is Perp., with a narrow lancet window over it, which is possibly original. The font is octagonal, with rose ornaments. There is a floor brass, with effigy and long inscription to John Sarre [Carre](1570), citizen of London ironmonger and merchant venturer, who was born in the parish ; and another to Rainold Hollingworth (1753). The Register begins in 1708.

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